2
|
Mass in B minor, BWV 232
10. “Quoniam” |
Bassoon 1/2 |
Johann Sebastian Bach, 1685–1750, Germany |
3
|
Symphony No.35, K.385 “Haffner”
4. Finale |
Violins, Violas, Cellos,
Double Basses |
Wolfgang Amadeus Mozart, 1756–1791, Austria |
4
|
A Midsummer Night’s Dream
No.1 Scherzo |
--- |
Felix Mendelssohn, 1809–1847, Germany |
5
|
Images, No.2 “Ibéria”
2. Les parfums de la nuit
|
solo Violin |
Claude Debussy, 1862–1918, France) |
6
|
Chamber Symphony No.1, Op.9
|
Bass Clarinet, Double Basses |
Arnold Schoenberg, 1874–1951, Austria |
7
|
Violin Concerto, Op.61
3. Rondo
|
--- |
Ludwig van Beethoven, 1770–1827, Germany |
8
|
Don Quixote, Op.35
Variation 9: Battle with the magicians |
Flute 1 |
Richard Strauss, 1864–1949, Germany |
9
|
Rapsodie Espagnole
1. Prélude à la nuit |
--- |
Maurice Ravel, 1875–1937, France |
10
|
Symphony No.9
2. Im Tempo eines gemächlichen Ländlers |
---
|
Gustav Mahler, 1860–1911, Bohemia (Austrian Empire/Czech Republic) |
J
|
Piano Concerto No.1, Op.15
2. Adagio |
---
|
Johannes Brahms, 1833–1897, Germany |
Q
|
Pulcinella Suite
Gavotta (con due variazoni): Variation 2a |
--- |
Igor Stravinsky, 1882–1971, Russia |
K
|
Symphony No.4 in F minor Op.36
2. Andantino in modo di Canzone |
--- |
Pyotr Ilyich Tchaikovsky, 1840–1893, Russia |
A
|
Othello
Act 2 |
Bassoon 1/2/3/4,
Violas, Cellos |
Giuseppe Verdi, 1813–1901, Italy |
2
|
Piano Concerto in G
3. Presto |
--- |
Maurice Ravel, 1875–1937, France |
3
|
Symphony No.5, Op.47
2. Allegretto |
Bassoon 1/Contrabassoon |
Dmitri Shostakovich, 1906–1975, Russia |
4
|
Symphony No.2, Op.43
2. Tempo andante, ma rubato |
Bassoon 1 |
Jean Sibelius, 1865–1957, Finland |
5
|
Death and Transfiguration, Op.24 TrV 158 |
Bass Clarinet,
Bassoon 1/2/Contrabassoon, Cellos, Double Basses |
Richard Strauss, 1864–1949, Germany |
6
|
Symphony No.5
Part 2, 3. Scherzo |
Bassoon 1/2/Contrabassoon, Cellos, Double Basses |
Gustav Mahler, 1860–1911, Bohemia (Austrian Empire/Czech Republic) |
7
|
Symphony No.88 Hob.I:88
4. Finale |
Bassoon 1/2, Cellos,
Double Basses |
Joseph Haydn, 1732–1809, Austria |
8
|
Symphony No.3 Op.90
4. Allegro |
Cellos, Double Basses |
Johannes Brahms, 1833–1897, Germany |
9
|
Peter and the Wolf, Op.67 |
--- |
Sergei Prokofiev, 1891–1953, Ukraine (Russian Empire) |
10
|
Symphony No.4, Op.60
4. Allegro ma non troppo |
--- |
Ludwig van Beethoven, 1770–1827, Germany |
J
|
The Marriage of Figaro, K.492
Overture |
--- |
Wolfgang Amadeus Mozart, 1756–1791, Austria |
Q
|
Mother Goose Suite, M.60
4. Conversations of Beauty and the Beast |
--- |
Maurice Ravel, 1875–1937, France |
K
|
La Gazza ladra
Overture |
Piccolo, Clarinet 1 |
Gioacchino Rossini, 1792–1868, Italy |
A
|
Symphony No.3, Op.56 “Scottish”
2. Vivace non troppo |
Bassoon 1/2, Cellos,
Double Basses |
Felix Mendelssohn, 1809–1847, Germany |
2
|
Violin Concerto, Op.77
2. Adagio |
--- |
Johannes Brahms, 1833–1897, Germany |
3
|
Symphony No.5 in E minor Op.64
3. Valse |
Clarinets |
Pyotr Ilyich Tchaikovsky, 1840–1893, Russia |
4
|
L’elisir d’amore Act 2, Scene 8, No.11 Romanza “Una furtiva lagrima” |
--- |
Gaetano Donizetti, 1797–1848, Italy |
5
|
Symphony No.9, Op.125
4. Presto |
Cellos, Double Basses |
Ludwig van Beethoven, 1770–1827, Germany |
6
|
I Vespri Siciliani
Overture |
Clarinets, Bassoon 1 |
Giuseppe Verdi, 1813–1901, Italy |
7
|
Piano Concerto for the Left Hand, M.82 |
Double Basses (div) |
Maurice Ravel, 1875–1937, France |
8
|
The Bartered Bride,
JB 1:100
Overture |
Piccolo, Flutes,
Oboes, Clarinets,
Bassoon 1/2, Strings |
Bedřich Smetana, 1824–1884, Bohemia (Habsburg Empire/Czech Republic) |
9
|
Firebird Suite (1919)
Part 1, Berceuse |
--- |
Igor Stravinsky, 1882–1971, Russia |
10
|
Concerto for Orchestra, Sz.116
2. Giuoco delle Coppie |
--- |
Béla Bartók, 1881–1945, Hungary |
J
|
Till Eulenspiegel’s Merry Pranks, Op.28 TrV 171 |
English horn,
Bass Clarinet,
Bassoon 1/2/3,
Violas, Cellos |
Richard Strauss, 1864–1949, Germany |
Q
|
Symphonie Fantastique, H.48 (Op.14)
4. The Procession to the Stake |
Bassoon 3/4 |
Hector Berlioz, 1803–1869, France |
K
|
Symphony No.10, Op.93
4. Andante—Allegro—L’istesso tempo |
--- |
Dmitri Shostakovich, 1906–1975, Russia |
A
|
Tannhäuser, WWV 70
Overture |
Bassoon 1 |
Richard Wagner, 1813–1889, Germany |
2
|
Symphony No.5, Op.67
4. Allegro |
Cellos, Double Basses |
Ludwig van Beethoven, 1770–1827, Germany |
3
|
The Rite of Spring
Part 1, Adoration of the Earth, Introduction |
--- |
Igor Stravinsky, 1882–1971, Russia |
4
|
Boléro, M.81 |
--- |
Maurice Ravel, 1875–1937, France |
5
|
Symphony No.2, Op.73
4. Allegro con spirito |
Bassoon 1/2, Cellos,
Double Basses |
Johannes Brahms, 1833–1897, Germany |
6
|
Octet
2. Theme with Variations: Variation E |
--- |
Igor Stravinsky, 1882–1971, Russia |
7
|
Symphony No.41, K.551 “Jupiter”
1. Allegro vivace |
Violin 1 |
Wolfgang Amadeus Mozart, 1756–1791, Austria |
8
|
Symphony No.6 Op.74
1. Adagio—Allegro non troppo |
--- |
Pyotr Ilyich Tchaikovsky, 1840–1893, Russia |
9
|
Scheherazade, Op.35
2. The Kalendar Prince |
--- |
Nikolai Rimsky-Korsakov, 1844–1908, Russia |
10
|
Symphony No.9, Op.70
5. Allegretto |
--- |
Dmitri Shostakovich, 1906–1975, Russia |
J
|
The Sorcerer’s Apprentice |
Bassoon 1/2/3 |
Paul Dukas, 1865–1935, France |
Q
|
Missa Solemnis, Op.123
2. Gloria |
Organ, Strings |
Ludwig van Beethoven, 1770–1827, Germany |
K
|
Das Lied von der Erde
6. Der Abschied |
--- |
Gustav Mahler, 1860–1911, Bohemia (Austrian Empire/Czech Republic) |
A
|
Salome, Op.54
Scene 3 |
--- |
Richard Strauss, 1864–1949, Germany |
Jo |
Variations on a Theme by Haydn, Op.56a
Variation 6 Vivace |
Bassoon 2, Cellos,
Double Basses |
Johannes Brahms, 1833–1897, Germany |
Jo |
Alborada del Gracioso |
--- |
Maurice Ravel, 1875–1937, France |