|
2
|
An American in Paris |
Bassoons, Cellos, Double Basses |
|
George Gershwin, 1889–1937, U.S.A. |
|
3
|
Háry János-Suite
4. The Battle and Defeat of Napoleon |
Trombone 3 |
|
Zoltán Kodály, 1882–1967, Hungary
|
|
4
|
Symphony No.5, Op.100
1. Andante
|
Piano |
|
Sergei Prokofiev, 1891–1953, Ukraine (Russian Empire) |
|
5
|
Fountains of Rome
3. The Trevi Fountain at Noon |
Bass Clarinet, Bassoons, Trombones, Double Basses
|
|
Ottorino Respighi, 1879–1936, Italy |
|
6
|
Symphony No.6 in E minor
3. Scherzo. Allegro vivace |
Fls, Picc, Obs, EH, Hns, Trpt 1&3 |
|
Ralph Vaughan Williams, 1882–1958, England
|
|
7
|
J’ai été au bal |
---
|
|
Donald Grantham, 1947–, U.S.A.
|
|
8
|
Nabucco
Overture
|
--- |
|
Giuseppe Verdi, 1813–1901, Italy
|
|
9
|
Symphony No.8 in C minor, WAB 108
4. Finale |
Bass Trombone, Cellos, Double Basses |
|
Anton Bruckner, 1824–1896, Austria
|
|
10
|
Symphonie Fantastique, H.48 (Op.14)
5. Dream of the Night of the
Sabbath
|
---
|
|
Hector Berlioz, 1803–1869, France
|
|
J
|
Symphony No.5
5. Rondo–Finale
|
Contrabassoon, Trombones |
|
Gustav Mahler, 1860–1911, Bohemia (Austrian Empire/Czech
Republic)
|
|
Q
|
The Valkyries WWV 86B
Act 3, Scene 1 (“The Ride”) |
Trpt 2, 3 & Bass, Trombones, Double Basses |
|
Richard Wagner, 1813–1883, Germany |
|
K
|
Symphony No.4, Op.29 “The Inextinguishable”
1. Allegro |
Trombone 1 |
|
Carl Nielsen, 1865–1931, Denmark |
|
A
|
Symphony No.4, Op.36
1. Andante sostenuto - Moderato con anima |
Bassoons, Bass Trombone, Cellos, Double Basses |
|
Pyotr Ilyich Tchaikovsky, 1840–1893, Russia |
|
2
|
A Midsummer Night’s Dream, Op.61 Overture |
Cellos, Double Basses |
|
Felix Mendelssohn, 1809–1847, Germany |
|
3
|
Pictures at an Exhibition
4. Bydlo |
--- |
|
Modest Mussorgsky, 1839-1881, Russia/Maurice Ravel, 1875–1937,
France |
|
4
|
Benvenuto Cellini, H 76
Overture |
Trumpets, Cornets, Trombones |
|
Hector Berlioz, 1803–1869, France |
|
5
|
Symphonic Metamorphosis of Themes by Carl Maria von Weber
2. Turandot, Scherzo |
Contrabassoon, Violins, Violas, Cellos, Double Basses |
|
Paul Hindemith, 1895–1963, Germany |
|
6
|
Symphony No.7 in E major, WAB 107
4. Finale |
Bassoon 1/2,
Cellos, Double Basses |
|
Anton Bruckner, 1824–1896, Austria |
|
7
|
The Stars and Stripes Forever |
Baritone Saxophone |
|
John Philip Sousa, 1854–1932, U.S.A. |
|
8
|
The Planets, Op.32
6. Uranus, the Magician |
Tenor Tuba |
|
Gustav Holst, 1874–1934, England |
|
9
|
Romeo and Juliet, 2nd Suite, Op..64ter
5. Romeo and Juliet Before Parting |
Double Basses |
|
Sergei Prokofiev, 1891–1953, Ukraine (Russian Empire) |
|
10
|
Lohengrin, WWV 75
Act 3, Prelude |
Bassoons, Horns, Trumpet 3, Trombones, Cellos
*Did you notice the error? |
|
Richard Wagner, 1813–1883, Germany |
|
J
|
Symphony No.6 in B minor, Op.74 “Pathétique”
4. Finale |
--- |
|
Pyotr Ilyich Tchaikovsky, 1840–1893, Russia |
|
Q
|
Also sprach Zarathustra, Op.30
8. Das Tanzlied (The Dance Song) |
Bassoons, Contrabassoon, Double Basses |
|
Richard Strauss, 1864–1949, Germany |
|
K
|
King Lear Overture , H 53 (Op.4) |
Bassoons,
Double Basses |
Hector Berlioz, 1803–1869, France |
|
A
|
Symphony No.1
3. Feierlich und gemessen, ohne zu schleppen |
--- |
|
Gustav Mahler, 1860–1911, Bohemia (Austrian Empire/Czech
Republic) |
|
2
|
Petrushka
Fourth Tableau, The Peasant Plays the Pipe. The Bear Walks on His
Hind Feet |
--- |
|
Igor Stravinsky, 1882–1971, Russia |
|
3
|
An Alpine Symphony, Op.64 |
Bassoons 1&2, Contrabassoon, Double Basses |
|
Richard Strauss, 1864–1949, Germany |
|
4
|
A German Requiem, Op.45
2. Denn alles Fleisch, es ist wie Gras
|
Bassoons, Bass Singers, Cellos, Double Basses |
|
Johannes Brahms, 1833–1897, Germany |
|
5
|
Symphony No.3 “Ilya Murometz”, Op.42
1. Wandering Pilgrims: Ilia Mourometz et Sviatogor |
--- |
|
Reinhold Glière, 1875–1956, Russia |
|
6
|
Die Meistersinger von Nürnberg, WWV 96
Overture |
Cellos, Double Basses |
|
Richard Wagner, 1813–1883, Germany |
|
7
|
Entrance (Entry) of the Gladiators, Op.68 |
Bass Clarinet, Bassoon, Trombones, Euphoniums |
|
Julius Fučík, 1872–1916, Bohemia (Austrian Empire/Czech Republic) |
|
8
|
Symphony in B-flat
1. Moderately fast, with vigor |
Oboes, Clarinets, Bass Clarinet Bassoons, Saxes |
|
Paul Hindemith, 1895–1963, Germany |
|
9
|
Toccata Marziale |
Bass Sax, Contrabass Clarinet, Euphonium, Double Bass |
|
Ralph Vaughan Williams, 1882–1958, England |
|
10
|
Symphony in D minor
3. Allegro non troppo |
Double Basses |
|
César Franck, 1822–1890, Belgium |
|
J
|
Siegfried, WWV 86C
Act 2, Prelude
|
--- |
|
Richard Wagner, 1813–1883, Germany |
|
Q
|
La forza del destino
Overture |
Bassoons, Trombones, Cellos, Double Basses |
|
Giuseppe Verdi, 1813–1901, Italy |
|
K
|
Symphony No.6
4.
Finale |
--- |
|
Gustav Mahler, 1860–1911, Bohemia (Austrian Empire/Czech
Republic) |
|
A
|
Overture “The Corsair”, H.101, Op.21 |
Cellos, Double Basses |
|
Hector Berlioz, 1803–1869, France |
|
2
|
Symphonie Mathis der Maler
3. Versuchung des heiligen Antonius |
Bassoons, Trombones, Violas, Cellos, Double Basses |
|
Paul Hindemith, 1895–1963, Germany |
|
3
|
Symphony No.5, Op.47
1. Moderato |
Bassoon 2, Trombone 3, Double Bass |
|
Dmitri Shostakovich, 1906–1975, Russia |
|
4
|
Das Rheingold, WWV 86A
Scene 3 |
Wagner Tubas in F |
|
Richard Wagner, 1813–1883, Germany |
|
5
|
Ein Heldenleben, Op.40 |
Tenor Tuba |
|
Richard Strauss, 1864–1949, Germany |
|
6
|
Lincolnshire Posy
3. Rufford Park Poachers |
Fls, Obs, EH, Cls, Bs
Cl, Bsns, Cnbsn, Bs Sx, Bar, Euph, Dbs |
|
Percy Grainger, 1882–1961, Australia |
|
7
|
La damnation de Faust,
H.111
Part 1, 3. Hungarian March |
Bassoons, Cellos,
Double Basses |
|
Hector Berlioz, 1803–1869, France |
|
8
|
Symphony No.2, Op.73
4. Allegro con spirito |
--- |
|
Johannes Brahms, 1833–1897, Germany |
|
9
|
Symphony No.2
5. In Tempo des Scherzos |
Contrabassoon |
|
Gustav Mahler, 1860–1911, Bohemia (Austrian Empire/Czech
Republic) |
|
10
|
Sensemayá, R.67 |
---
or
Picc 1, Ob 1, EH, Trpt 1&2 |
|
Silvestre Revueltas, 1899–1940, Mexico |
|
J
|
First Suite in E-flat for Military Band, Op.28 No.1
1. Chaconne |
Contrabass Clarinet, Euphonium, Double Bass |
|
Gustav Holst, 1874–1934, England |
|
Q
|
Romeo and Juliet, H.79
1. Introduction |
Trombones |
|
Hector Berlioz, 1803–1869, France |
|
K
|
Symphony No.4 in
E-flat major, WAB 104 (Romantic)
1. Bewegt, nicht zu schnell |
Bass Trombone, Cellos, Double Basses |
|
Anton Bruckner, 1824–1896, Austria |
|
A
|
A Faust Overture, WWV
59 |
Double Basses |
|
Richard Wagner, 1813–1883, Germany |
|
Jo
|
1812 Overture, Op.49 |
Bassoons, Trombones 3, Cellos, Double Basses |
|
Pyotr Ilyich Tchaikovsky, 1840–1893, Russia |
|
Jo
|
Till Eulenspiegel’s Merry Pranks, Op.28 |
Bass Clarinet, Horns 1&2, Double Basses |
|
Richard Strauss, 1864–1949, Germany |