2
|
Don Juan, Op.20 |
--- |
Richard Strauss, 1864–1949, Germany |
3
|
Concerto for Orchestra, Sz.116
5. Finale |
--- |
Béla Bartók, 1881–1945, Hungary |
4
|
A Midsummer Night’s Dream, Op.61
No.1 Scherzo |
Violin 1/2, Violas |
Felix Mendelssohn, 1809–1847, Germany |
5
|
Morning, Noon, & Night in Vienna
Overture |
--- |
Franz von Suppé, 1819–1895, Croatia (Austrian Empire) |
6
|
Symphony No.8, Op.93
3. Tempo di Menuetto |
--- |
Ludwig van Beethoven, 1770–1827, Germany |
7
|
Carnival Overture, Op.92 |
Violas |
Antonín Dvořák, 1841–1904, Bohemia (Austrian Empire/Czech
Republic) |
8
|
Romeo and Juliet 2nd Suite, Op.64ter
3. Friar Laurence |
--- |
Sergei Prokofiev, 1891–1953, Ukraine (Russian Empire) |
9
|
Symphony No.2, Op.73
1. Allegro non troppo |
--- |
Johannes Brahms, 1833–1897, Germany |
10
|
Tannhäuser, WWV 70
Overture |
Violas |
Richard Wagner, 1813–1889, Germany |
J
|
Symphony No.15, Op.141
2. Adagio |
--- |
Dmitri Shostakovich, 1906–1975, Russia |
Q
|
Symphony No.3, Op.90
3. Poco allegretto |
--- |
Johannes Brahms, 1833–1897, Germany |
K
|
Symphony No.39, K.543
2. Andante con moto |
Violas, Double Basses |
Wolfgang Amadeus Mozart, 1756–1791, Austria |
A
|
Transfigured Night, Op.4 |
---
|
Arnold Schoenberg, 1874–1951, Austria |
2
|
Symphony No.5, Op.47
1. Moderato–Allegro non troppo |
Clarinet 1/2, Bassoon 1/2, Violas |
Dmitri Shostakovich, 1906–1975, Russia |
3
|
Symphony No.5
2. Stürmisch bewegt, mit größter Vehemenz |
--- |
Gustav Mahler, 1860–1911, Bohemia (Austrian Empire/Czech Republic) |
4
|
Also sprach Zarathustra, Op.30
3. Von der großen Sehnsucht |
Double Basses |
Richard Strauss, 1864–1949, Germany |
5
|
Symphony No.31 “Hornsignal”
4. Finale (Variation 2) |
--- |
Joseph Haydn, 1732–1809, Austria |
6
|
Symphony No.4 in F minor, Op.36
2. Andantino |
--- |
Pyotr Ilyich Tchaikovsky, 1840–1893, Russia |
7
|
The Marriage of Figaro, K.492
Overture |
Violin 1/2, Violas, Double Basses |
Wolfgang Amadeus Mozart, 1756–1791, Austria |
8
|
Symphony No.2, Op.73
2. Adagio non troppo |
--- |
Johannes Brahms, 1833–1897, Germany |
9
|
Symphony No.5, Op.67
2. Andante con moto |
Violas |
Ludwig van Beethoven, 1770–1827, Germany |
10
|
Ruslan and Lyudmila
Overture |
Double Basses |
Mikhail Glinka, 1804–1857, Russia |
J
|
William Tell
Overture |
--- |
Gioacchino Rossini, 1792–1868, Italy |
Q
|
The Bartered Bride, JB 1:100
Overture |
Violin 1/2, Violas, Double Basses |
Bedřich Smetana, 1824–1884, Bohemia (Habsburg Empire/Czech Republic) |
K
|
Poet and Peasant
Overture |
--- |
Franz von Suppé, 1819–1895, Croatia (Austrian Empire) |
A
|
Death and Transfiguration, Op.24 TrV 158 |
--- |
Richard Strauss, 1864–1949, Germany |
2
|
Piano Concerto No.2, Op.83
3. Andante |
--- |
Johannes Brahms, 1833–1897, Germany |
3
|
Symphony No.9, Op.125
4. Finale |
Double Basses |
Ludwig van Beethoven, 1770–1827, Germany |
4
|
Tosca
Act 3, Scene 1 |
--- |
Giacomo Puccini, 1858–1924, Italy |
5
|
Symphony No.7 in E major, WAB 107
1. Allegro moderato |
Double Basses |
Anton Bruckner, 1824–1896, Austria |
6
|
Carmen
Act 3, No.24 |
Clarinet 1 |
Georges Bizet, 1838–1875, France |
7
|
Don Quixote, Op.35
Variation 2 |
--- |
Richard Strauss, 1864–1949, Germany |
8
|
Requiem
No.3 Offertorio |
--- |
Giuseppe Verdi, 1813–1901, Italy |
9
|
Symphony No.1, Op.10
4. Allegro molto |
--- |
Dmitri Shostakovich, 1906–1975, Russia |
10
|
Symphony No.41, K.551 “Jupiter”
4. Molto Allegro |
--- |
Wolfgang Amadeus Mozart, 1756–1791, Austria |
J
|
Symphony No.2 “Resurrection”
1. Allegro maestoso |
Double Basses |
Gustav Mahler, 1860–1911, Bohemia (Austrian Empire/Czech Republic) |
Q
|
Romeo and Juliet 1st Suite, Op.64bis
6. Romeo and Juliet |
English horn |
Sergei Prokofiev, 1891–1953, Ukraine (Russian Empire) |
K
|
Ein Heldenleben, Op.40 |
Horn 1, Violas |
Richard Strauss, 1864–1949, Germany |
A
|
Symphony No.8, Op.88
4. Allegro ma non troppo |
Double Basses |
Antonín Dvořák, 1841–1904, Bohemia (Austrian Empire/Czech
Republic) |
2
|
Symphony No.35, K.385 “Haffner”
4. Presto |
Bassoon 1/2, Double Basses |
Wolfgang Amadeus Mozart, 1756–1791, Austria |
3
|
Symphony No.5, Op.100
4. Allegro giocoso |
--- |
Sergei Prokofiev, 1891–1953, Ukraine (Russian Empire) |
4
|
Tristan und Isolde, WWV 90
Act 1, Prelude |
--- |
Richard Wagner, 1813–1889, Germany |
5
|
Symphony No.4, Op.98
4. Allegro energico e passionato |
--- |
Johannes Brahms, 1833–1897, Germany |
6
|
Variations on an Original Theme, Op. 36 (Enigma Variations)
Variation 12 |
Violas |
Edward Elgar, 1857–1934, England |
7
|
La Mer
1. De l’aube à midi sur la mer |
--- |
Claude Debussy, 1862–1918, France |
8
|
Symphony No.4
3. Ruhevoll, poco adagio |
--- |
Gustav Mahler, 1860–1911, Bohemia (Austrian Empire/Czech Republic) |
9
|
Symphony No.9, D.944 “The Great”
4. Finale: Allegro vivace |
Violin 1/2, Violas |
Franz Schubert, 1797–1828, Austria |
10
|
Der Bürger als Edelmann Suite (Le bourgeois gentilhomme),
Op.60-IIIa, TrV 228c
9. Das Diner |
--- |
Richard Strauss, 1864–1949, Germany |
J
|
Symphony No.4 in A, Op.90 “Italian”
1. Allegro vivace |
Double Basses |
Felix Mendelssohn, 1809–1847, Germany |
Q
|
The Creatures of Prometheus, Op.43
Act 2, No.5 Adagio |
--- |
Ludwig van Beethoven, 1770–1827, Germany |
K
|
Symphony No.6 Op.74
2. Allegro con grazia |
--- |
Pyotr Ilyich Tchaikovsky, 1840–1893, Russia |
A
|
Symphony No.9, Op.70
3. Presto |
Violin 1/2, Violas |
Dmitri Shostakovich, 1906–1975, Russia |
Jo
|
Symphony No.40 in G minor, K.550
1. Allegro molto |
Bassoon 1/2, Violas, Double Basses |
Wolfgang Amadeus Mozart, 1756–1791, Austria |
Jo
|
Variations on a Theme by Haydn
Variation 5 |
Violas, Double Basses |
Johannes Brahms, 1833–1897, Germany |